PJ Seminar: Master Class on How to Create the Irresistible Narrator with Steve Almond
Make sure your next narrator isn’t just strong, but irresistible.
RESERVE YOUR SPOT
PJ Seminar: Master Class on The Literary Voice – The Never-ending Pursuit of Eloquence with Mitchell S. Jackson
You will define literary voice and identify its most prevalent aspects: diction, syntax, acoustics, and visual logic included.
PJ Seminar: Master Class on Time and Rhythm – The Heartbeat of Your Story with Frances de Pontes Peebles
Study how time creates a rhythm that becomes the heartbeat of your book.
PJ Seminar: A Master Class on Writing and Publishing as a Poet with Shayla Lawson
Discuss the transition from poetry writing and publication to prose.
PJ Seminar: Master Class on The Rules of Attraction – Making Crushes, Lust, and Love Feel Real in Fiction with Amy Shearn
Chemistry between two people is often inexplicable, created by intangible factors that can’t really be put into words. So… how do you put it into words?
PJ Seminar: A Master Class in Point of View with Janet Burroway
Point of View is the most complex element of fiction writing, the most difficult to understand and the most difficult to accomplish.
The Freedom of Constraint with Freda Love Smith
This four-week online course utilizes creative games, rules, restrictions, and templates to generate new pages of work.
Writing for the Small Screen: From Broadcast to Streaming to Web with Mary Ruth Clarke
This class is for anyone who has an idea that could make a great ongoing comedy or drama show, limited series, or web series, and who wants to learn the crucial basics of how to write it.
First Page Clinic with Rebecca Makkai
The pacing and polish of your first page are, let’s face it, going to be the biggest determining factor in whether an editor or agent keeps reading.
Setting the Pace with Ellen Blum Barish
When we say that an essay or memoir dragged a bit in the middle, or actually made us stop reading, we are often talking about pacing.
Trauma is Not the Only Subject with Kate Harding
Have you thought about writing creative nonfiction but stopped because you don’t feel like writing about the worst things that have ever happened to you?
Writing Beyond What You Know with Richard Santos
This class will review the common pitfalls of autobiographical writing.