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The Sentence Alive: Four Lessons on Memoir Through Sound, Body, and Form with Paul Lisicky

$250.00 · October 14

In this four-week craft-centered seminar, multi-genre writer Paul Lisicky invites participants to explore the deep architecture of memoir at the level of the sentence and the scene.

Start Date

October 14

Class Times

6:30pm – 8:30pm CT

Day(s) of the Week

Wednesday

Sessions

4

Location

Zoom (online)

Instructor

Price

$250

Description

Memoir lives not only in what we remember, but in how we remember—through the acoustics of language, the cadence of the body, and the structure of experience. In this four-week craft-centered seminar, multi-genre writer Paul Lisicky invites participants to explore the deep architecture of memoir at the level of the sentence and the scene. Designed for writers who want to bring more presence, vitality, and distinctiveness to their prose, this course emphasizes language as an ongoing act of seeking, arrival, and return.

Each session will feature a casual lecture combining close readings, practical suggestions, and examples from multiple writers, recently published and long established. Sessions will also offer brief generative exercises and plenty of time for participants to ask questions. This won’t be a workshop in the expected sense, though participants will be encouraged to write, read, and take notes between sessions. Sessions will be recorded for those who miss a class or wish to revisit material.

Writers at all stages are welcome, whether you’re beginning from fragments or seeking fresh perspectives on a work-in-progress or need nourishment for your next project. The class will attend to both book-length works and short pieces and everything in between. No required readings beforehand, but a suggested reading list will be provided at class’s end.

Week 1: Sound and Sense – Exploring music, breath, repetition, pauses, and the acoustics of memory.
Week 2: Texture and Description – Making abstraction palpable; sensory description for emotional and thematic depth.
Week 3: Scene and Structure – Constructing scenes that move between the spoken and the interior; choreography, pacing, tension.
Week 4: Vision in the Micro – A close reading of individual, iconic paragraphs to locate voice, pattern, and worldview. How does the granular imply the global?

Lectures will be presented live; they will also be recorded so you can catch up on a class you missed or review the material again. Recordings will only be available until December 4, 2026. We encourage you to watch before this date, as there will not be an extension for viewing after December 4 at 11:59pm CT.  


PLEASE NOTE: THIS IS AN OPEN-ENROLLMENT COURSE, WITH AN UNLIMITED NUMBER OF SEATS AVAILABLE. The Zoom meetings will likely have a few hundred people in it each week. This will not affect the quality of lessons you receive, but we want expectations set before the class begins that participation will be limited to the chat box. 

About Paul Lisicky

Paul Lisicky is the author of seven books including Song So Wild and Blue: A Life with the Music of Joni Mitchell, Later: My Life at the Edge of the World (one of NPR's Best Books of 2020), as well as The Narrow Door (a New York Times Editors' Choice and a Finalist for the Randy Shilts Award), Unbuilt Projects, The Burning House, Famous Builder, and Lawnboy. His work has appeared in The Atlantic, BuzzFeed, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, and in many other magazines and anthologies. His honors include fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, and the Rose Dorothea Award from the Provincetown Public Library. He has taught in the creative writing programs at Cornell University, New York University, Sarah Lawrence College, The University of Texas at Austin and elsewhere. He is currently a Professor of English in the MFA Program in Creative Writing at Rutgers University-Camden, where he is Editor of StoryQuarterly, and on the faculty of the Bennington Writing Seminars. He divides his time between Brooklyn and South Louisiana.