Get Your Manuscript Out the Door with Gina Frangello
Don’t fear the publishing landscape any longer!
RESERVE YOUR SPOT
Writing Your Resistance Series: Poetry with Hannah Gamble
This course is part of a larger series called “Write Your Resistance.” You are welcome to take one class, or all in the series. Each is a standalone lesson.
Memoir Workshop: Shaping Family History with Annette Gendler
A workshop presenting approaches to creating compelling stories from family history.
Art of Patience: Writing a Novel in Layers with Devin Murphy
Learn how to rise above the dreaded “middle” part of writing novels and short stories.
Trick Yourself Into Completing a Book: Master Class with Lindsay Hunter
We’re pleased to welcome best-selling author Lindsay Hunter to the studio for this single-session master class on the art of writing a novel.
Writing Your Resistance Series: Fiction with Dipika Mukherjee
THIS COURSE IS PART OF A LARGER SERIES CALLED “WRITE YOUR RESISTANCE.” YOU ARE WELCOME TO TAKE ONE CLASS, OR ALL IN THE SERIES. EACH IS A STANDALONE LESSON.
Lyric and Political: Exploring Ekphrastic Poetry with Ruben Quesada
This one-night course, taught by Ruben Quesada, will instruct writers how to describe, interpret, or interact with works of art.
Voice Through the Noise: Master Class with Pablo Cartaya
A generative writing workshop, with an emphasis on children and young adult literature, that focuses on personal histories and the writer’s unique voice.
Creative Writing Essentials with Sarah Terez Rosenblum
Discover the elements at the heart of all good fiction and nonfiction in this eight-session introduction to creative writing.
Help Yourself: Accountability Strategies for Writers with Joseph Scapellato
In this class, we’ll discuss a range of practical accountability strategies, all designed to help you do the work you want to do.
The Embodied Writer: Master Class with Catherine Lacey
This workshop will examine the way our posture, breath, and bodily tensions affects the creation of a fictive voice.
Flashbacks with Sarah Terez Rosenblum
What are the rules of flashbacks in fiction? How can you use them, or even bend them?