Migration is at the heart of the American national ethos. In this four-week class led by author Dipika Mukherjee, you will write your own short fiction on this theme, guided by relevant literary examples and craft discussion.
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Join us in person! This class will focus on learning to identify and understand the craft elements that comprise the building blocks of compelling, engaging narratives.
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To get get hold of what we most want to use from our lives as writers, we can learn a method of paying attention to intuition at a deep level called "object world."
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In this single-session workshop, we’ll look at sections of two of Joan Didion's essays and two memoirs to unpack what made her cool, unsentimental voice on the page so impactful.
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Arguably even more important than a novel’s story is the way that story is told. Who narrates? How close are they to the events of the book? How close are they to the reader?
Add to cartIn this class, students will have an opportunity to brainstorm, workshop, and read published examples of great endings.
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How do you decide when to tell your story using multiple perspectives?
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A writer’s first job is to make a reader want to turn page after page after page – and that begins, most importantly, with Page One.
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Join us IN-PERSON -- You will be expected (and pushed) to create your bravest, boldest, most revealing work, and give constructive, kind, and supportive feedback in a casual and collaborative workshop style.
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TICKET FOR THE NONFICTION COHORT.
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