THE CONFERENCE

2027 Conference Details Coming Soon


In 2026, StoryStudio is thrilled to present: StoryBoard Conference & Festival. This program combines our signature program StoryBoard (a weeklong application-based workshop) with our signature event Writers Festival (a weekend festival of craft classes, panels, and social events).

For the seventh year in a row, the StoryBoard Conference is pleased to bring a host of talented authors to the Studio (five in person, and two online) for a week of workshopping, community building with your cohort and instructor, and a special discussion with all five in-person authors.

For those that are accepted into our in-person week of the conference, your tuition will include access to the weekend StoryBoard Festival. See more information about the Festival here.

Applications Open January 22 – March 27, 2026

Dates:

August 9 โ€“ 14 in person
August 16 โ€“ 21 online

Deadlines:

Application window 
closes Friday, March 27

Cost:

$7 application fee
$1,495 tuition in-person (includes Festival)
$850 tuition online

Applications:

Use Submittable to upload
your application materials and
make your faculty preference selections.

Materials include: 10-page writing sample, and a brief questionnaire

Fellowships:

You may apply for a Fellowship spot to any of the workshops. Only 1 spot per cohort is available. See application for more details.

FAQs are below.

The StoryBoard program is a weeklong workshop. Workshops will take place in our Chicago-based Studio, or on our online platform Zoom. For more about StoryStudio as a creative writing center under our parent nonprofit organization Stories Matter Foundation, click here.

For those that are accepted into our in-person week of the conference, your tuition will include access to the weekend Festival. See more information about the Festival here.

HEREโ€™S HOW IT WILL WORK:

1. MEET EVERYONE: Sunday evening of your week, August 9 or 16, there will be a welcome meeting at the Studio or via Zoom. Have a drink and meet your fellow writers. (Optional, but highly encouraged as this is where you will meet your peers.)

2. WORKSHOPS BEGIN: Monday, August 10 or 17 will kick off the workshops. In-person workshops will either be in the morning or evening. Exact timing to be shared later this summer. Online workshops will be at 10am CT.

3. STRUCTURE: Each day will include 3 hours of craft lecture and workshops. Outside of the sessions, youโ€™ll have free time to do as you wish (continue the conversation with classmates over a meal in the city, flop on your bed, or log off to put your inspiration to use on the page).

4. CRAFT TALK: For the online week (where in-person attendees are welcome to join), at 3:00pm, a craft talk will be given by one of the virtual faculty on a topic of their choosing. This is optional, but we highly encourage you to attend. Recordings will be available to all StoryBoard participants.

5. ENJOY CHICAGO: Outside of workshop time, you are free to you to explore Chicago. If you’re in-person, we encourage you to set up some lunches and dinners with your fellow cohort members, and check out some literary events around the city. We’ll have a few optional events set up that you’re welcome to attend or not, depending on your capacity and interest. If you’re virtual, we’ll have some online cocktail hours for you to all mingle and get to know one another more.

*Special Offering:* Artistic Director Rebecca Makkai will be in conversation with all five in-person faculty members (date and time TBD), a conversation that will be free and open to the public.

6. LEAD INTO THE FESTIVAL: In-person events will wrap up for attendees on Friday, August 14 and move directly into the Festival events. We’ll start with a kick-off party Friday evening at the Dreihaus Museum. Saturday’s itinerary and lineup will be available soon. (Your five workshop authors will be giving craft talks on Saturday at the Festival.)

7. WRAP UP: Online workshop will wrap up on Friday, August 21 with a goodbye virtual reception after the final craft talk.

MEET THE FACULTY

IN-PERSON FICTION – Mat Johnson

Mat Johnson is the Philip H. Knight Chair of Humanities at the University of Oregon. His publications include the novels Invisible Things, Loving Day, and Pym, and the graphic novels Incognegro and Backflash.

IN-PERSON FICTION – Peter Ho Davies

Peter Ho Daviesโ€™ most recent books are the novel A Lie Someone Told You About Yourself, a New York Times Notable Book of the Year, and The Art of Revision: The Last Word, his first work of non-fiction. Other books include the novels, The Fortunes, winner of the Anisfield-Wolf Award; The Welsh Girl, long-listed for the Booker Prize, and a London Times bestseller; as well as two critically acclaimed collections of short stories. A recipient of the PEN/Malamud and PEN/Macmillan awards, his fiction has appeared in Harpers, The Atlantic, The Paris Review and Granta and been anthologized in O. Henry Prize Stories and Best American Short Stories. Born in Britain to Welsh and Chinese parents, he now directs the Helen Zell MFA Program at the University of Michigan.

IN-PERSON CREATIVE NONFICTION: Michelle Tea

Michelle Tea is the author of numerous works of fiction, nonfiction, poetry and children’s literature, most recently the novel Little F. She has been given awards and fellowships from the Guggenheim Foundation, PEN/America, Lambda Literary and The Rona Jaffe Foundation. Tea is the creator of such cultural interventions as Sister Spit, Drag Queen Story Hour, and DOPAMINE Books, a collaboration with Semiotext(e).

IN-PERSON CREATIVE NONFICTION: Lidia Yuknavitch

Lidia Yuknavitch is the author of the memoirs The Chronology of Water and Reading the Waves, and the novels Thrust, The Book of Joan, The Small Backs of Children, and Dora: A Headcase, as well as The Misfit’s Manifesto. Her Ted talk “On The Beauty of Being a Misfit” has over 4.5 million views. She founded the Corporeal Writing workshops in Portland, Oregon. She is the recipient of two Oregon Book Awards. She plays clarinet. She is a very good swimmer.

IN-PERSON POETRY: Carl Phillips

Carl Phillips is the author of 17 books of poetry, most recently Scattered Snows, to the North (2024) and Then the War: And Selected Poems 2007-2020, which won the 2023 Pulitzer Prize. His other honors include the 2021 Jackson Prize, the Aiken Taylor Award for Modern American Poetry, the Kingsley Tufts Award, a Lambda Literary Award, the PEN/USA Award for Poetry, and fellowships from the Guggenheim Foundation, the Library of Congress, the American Academy of Arts and Letters, and the Academy of American Poets. Phillips has also written three prose books, most recently My Trade is Mystery: Seven Meditations from a Life in Writing (Yale University Press, 2022); and he has translated the Philoctetes of Sophocles (Oxford University Press, 2004).

ONLINE FICTION: Denne Michele Norris

Denne Michele Norris is the editor in chief of Electric Literature, winner of the Whiting Literary Magazine Prize. She is the first Black, openly trans woman to helm a major literary publication. She co-hosts the critically acclaimed podcast Food 4 Thot and holds an MFA from Sarah Lawrence College. Her debut novel When the Harvest Comes was a Them and Elle Best Book of the Year in 2025.

ONLINE CREATIVE NONFICTION: Amitava Kumar

Amitava Kumar is the author of several works of nonfiction and four novels. The books of nonfiction include Husband of a Fanatic, A Foreigner Carrying in the Crook of His Arm a Tiny Bomb, and A Matter of Rats. His novel Immigrant, Montana was on the best of the year lists at The New Yorker, The New York Times, and President Obamaโ€™s list of favorite books of 2018. His next novel A Time Outside This Time was described by the New Yorker as โ€œa shimmering assault on the Zeitgeist.โ€ Kumarโ€™s latest, My Beloved Life, was praised by James Wood as โ€œbeautiful, truthful fiction.โ€ Three volumes of his diaries and drawings have been published by HarperCollins India. His work has appeared in Granta, The New Yorker, The New York Times, Harperโ€™s, BRICK, Guernica, and The Nation. Kumarโ€™s awards include a Guggenheim fellowship, a Cullman Center Fellowship at the NYPL, and residencies from Yaddo, MacDowell, the Lannan Foundation, and the Hawthornden Foundation.


FAQs

What level are these workshops?

Acceptance is selective and based on the quality and promise of the writing sample. The writers and instructors participating will all be serious about their craft and the feedback provided. Prior workshop experience is not necessary.

How many people will be in my group?

Workshops are limited to 10 participants maximum.

Will we be workshopping new pieces, or ones we apply with?

You are welcome to submit any piece for the workshop component of the program. If you apply with one piece, but want to submit something else for the group to workshop, thatโ€™s acceptable. All workshop pieces will need to be submitted one month prior to the programโ€™s start date and will need to be relevant to the workshop genre.

Will I get to pick who I work with?

On our submission manager, Submittable, youโ€™ll find options to list your preferences of faculty members. Weโ€™ll do our best to match you with your first choice.

What does my tuition cover?

In-person tuition covers the Sunday welcome reception, the Mon-Fri week of workshopping education, the Friday party, and Festival events.
Online tuition covers the Sunday welcome reception, and the Mon-Fri week of workshopping education.
Not included: lodging, meals, and travel.

What will the virtual participation look like?

Zoom invite links and information for joining your peers online will be provided in advance of the workshop. Additionally, you will have access to a private online chat forum for continual conversation outside of the live Zoom component. We will also provide some optional, general hang-out sessions throughout the week to get to know your peers more.

If I’m in a virtual workshop, but live locally, can I come to the Studio?

For some things, yes! The free author discussion panel is open to all, and the weekend Festival is also open for your attendance if you’d like to purchase a weekend ticket. All additional add-on events throughout the week are open for you to attend as well. We’ll send out a schedule after all cohorts have been finalized.


Testimonials From 2025 Attendees

2025 Faculty

Testimonials From 2024 Attendees

2024 Faculty

Testimonials From 2023 Attendees

2023 Faculty

Testimonials From 2022 Attendees

2022 Faculty

Testimonials From 2021 Attendees

2021 Hybrid-Format Faculty

Testimonials From 2020 Attendees

StoryBoard Workshop Welcome Reception over Zoom
Lidia Yuknavitch’s Workshop Group
2020 Inaugural Faculty